Photographing the Matterhorn from an open-door helicopter offers a perspective that few ever experience. With the wind rushing through the cabin and no glass between the camera and mountain, every detail of the East Face, the steep Furggen wall, the shadows carved into its rock, the thin veil of cloud drifting across its ridge, appears so crisp and detailed.
From this angle, the Matterhorn feels even more sculptural and imposing, revealing lines and textures that remain hidden from the classic Zermatt viewpoint. Shooting it in black and white amplifies the structure of the mountain, highlighting its raw geometry and the vertical sweep toward the summit.
This print captures one of the most dramatic and least-seen faces of the Cervin, photographed in a way that is only possible from the air: close, clean, and completely unobstructed.
Photographing the Matterhorn from an open-door helicopter offers a perspective that few ever experience. With the wind rushing through the cabin and no glass between the camera and mountain, every detail of the East Face, the steep Furggen wall, the shadows carved into its rock, the thin veil of cloud drifting across its ridge, appears so crisp and detailed.
From this angle, the Matterhorn feels even more sculptural and imposing, revealing lines and textures that remain hidden from the classic Zermatt viewpoint. Shooting it in black and white amplifies the structure of the mountain, highlighting its raw geometry and the vertical sweep toward the summit.
This print captures one of the most dramatic and least-seen faces of the Cervin, photographed in a way that is only possible from the air: close, clean, and completely unobstructed.
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